The Oblation (Filipino: Pahinungod, Oblasyon) is a concrete statue by Filipino artist Guillermo E. Tolentino which serves as the iconic symbol of the University of the Philippines. It depicts a man facing upward with arms outstretched, symbolizing selfless offering of oneself to his country.
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The idea for the Oblation was first conceived during the presidency of Rafael Palma, who was the one to commission Tolentino to make the sculpture. Palma requested that the statue would be based on the second verse of Rizal's Mi Ultimo Adios;
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In fields of battle, deliriously fighting, |
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The concrete sculpture painted to look like bronze, measures 3.5 meters in height, symbolizing the 350 years of Spanish rule in the Philippines.[1] The sculpture is replete with references of selfless dedication and service to the nation, and as Tolentino himself describes it;[2]
| “ | The completely nude figure of a young man with outstretched arms and open hands, with tilted head, closed eyes and parted lips murmuring a prayer, with breast forward in the act of offering himself, is my interpretation of that sublime stanza. It symbolizes all the unknown heroes who fell during the night. The statue stands on a rustic base, a stylized rugged shape of the Philippine archipelago, lined with big and small hard rocks, each of which represents an island. The “katakataka” (wonder plant) whose roots are tightly implanted on Philippine soil, is the link that binds the symbolized figure to the allegorical Philippine Group. “Katakataka” is really a wonder plant. It is called siempre vivo (always alive) in Spanish. A leaf or a piece of it thrown anywhere will sprout into a young plant. Hence, it symbolizes the deep-rooted patriotism in the heart of our heroes. Such patriotism continually and forever grows anywhere in the Philippines. | ” |
Originally, the statue was completely naked, but, as morality was prevailing at that time, it was modified by former U.P. President Jorge Bocobo with the addition of a fig leaf to cover the genitals. The sculpture was funded by the U.P. students of 1935-1936, and was presided by Potenciano Illusorio and Jose B. Laurel, Jr., presidents of the student council during the first and second semester respectively and was dedicated on March 1939 at the University's Manila campus where it stayed until February 1949, when the main administrative offices of the university moved to the new Diliman campus in Quezon City. The transfer of the Oblation to its new home served as the highlight of the move from Manila, which is historically referred to as the Exodus.[3] The sculpture in front of the Quezon Hall at Diliman was installed facing west, purportedly a tribute to the American roots of the University. Today, that sculpture is only a bronze replica (which was recast from the original in Italy in 1950,[4] under the supervision of Tolentino himself) dedicated on U.P.'s Golden Jubilee on November 29, 1958. The original sculpture is being kept at the Main Library (Gonzalez Hall), the former site of the U.P. College of Fine Arts.
Several replicas of the Oblation were made for campuses of the University of the Philippines, some by National Artist Napoleon Abueva. The Oblation at the U.P. Visayas campus in Iloilo City was made by Professor Anastacio Caedo. 2005 National Artist nominee Glenn Bautista [4][5], likewise, did his celebrated version of the Oblation[5] in pen and ink as part of his schoolplates at the U.P. College of Fine Art under Professor Rebillon. The sculpture was registered at the Intellectual Property Office in the year 2004. Being the main symbol of the university, the Oblation is the centerpiece of many U.P.-related logos, like those of the Philippine Collegian and other official student publications, the U.P. Cooperative, and the U.P. Centennial emblem.
The U.P.O.U. Oblation sculpture is unique for its ribbon-like flag swirling around the pedestal and the replica of Guillermo Tolentino's U.P. Oblation. This gives an effect of the flag lifting the Oblation into greater heights and rendering it the boundless reach that is symbolic of U.P.O.U.'s prime objective of widening access to U.P. quality education. Completed in 2005, it was designed and executed by University Artist and U.P.O.U. Chancellor Dr. Grace J. Alfonso.
The identity of the person who served as the model of the sculpture has been long been the subject of speculation. Urban legend has it that director-actor Fernando Poe, Sr. was the model, as he was a student at the University at the time the Oblation was being made. Other names that have said to pose for the sculpture include a friend of Tolentino, Ferdinand Glenn Gagarin and fireman June Villanueva.[6]
University literature, however, states that Anastacio Caedo, Tolentino's student assistant, and Caedo's brother-in-law, Virgilio Raymundo both served as the model for the Oblation, using Caedo's physique and Raymundo's proportion.[7] [8] Caedo would later become a professor of Fine Arts in the University himself, succeeding the deceased Tolentino. His works now form part of the University Collection, [7] and one of his monuments of Jose Rizal for the German government was installed in an eponymous Park in Wilhelmsfeld, Germany.
The Oblation Run at University of the Philippines Diliman is an annual tradition inspired by the Oblation[9] done by the members of the Alpha Phi Omega, one of the prominent U.P. fraternities. Members of the fraternity run around the campus naked (a concept known as streaking) to protest their sentiments about a current political or economic situation.
Inspired by the U.P. Oblation, the University of the Philippines Alumni Association (U.P.A.A.) launched an art exhibit, "100 Nudes/100 Years" featuring the works of nine (9) U.P. alumni national artists.[10]
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